One of the delights of living close to London is that you can unearth or on this occasion, revisit, movies that you have seen in the past and allow you to re-evaluate them.
This last week, together with a very enthusiastic audience at the British Film Institute’s National Film Theatre on the South Bank, I enjoyed again The Land That Time Forgot' (1974). It was being shown as part of a short ‘Amicus at 50’ season. Amicus was Amicus Film Productions, established at Shepperton Studios by Americans Milton Subotsky and Max Rosenburg and you could view them as a kind of poor man’s Hammer Studios. Their output of movies from 1962-1980 were mainly low budget horror or adventure stories (Dr Who and the Daleks, The House That Dripped Blood, The Beast Must Die etc).
However in the mid-1970’s Amicus produced what I think was their best stuff in a trio of fantasy adventures ‘At The Earth’s Core’ (1975), ‘The People That Time Forgot (1977) and the film that started it all of – ‘The Land That Time Forgot.
Based on the Edgar Rice Burroughs book of the same name (1918) it starred reliable Western star Doug McClure, as action man Bowen Tyler travelling on a merchant ship during World War 1 and along with female companion Lisa Clayton (a pre- ‘Bouquet of Barbed Wire’ Susan Penhaligon) and sailor Mr Bradley (Keith Barron) are torpedoed by a U-Boat captained by German John McEnery (although actually dubbed by stalwart Anton Diffring) and his nasty second in command Anthony Ainley. There are various attempts to take over the U-Boat but the party end up in a unchartered land off the South Atlantic where dinosaurs and ancient tribes still live.
As you might expect from such a scenario, much of the film is taken up with the Brits, the American and the Germans coming together (most of the time) to fight off the wild inhabitants of the land and try and get back home to safety.
For 1974, the special effects are, as I remember them, pretty first-class – bearing in mind that, as Keith Barron mentioned in an entertaining question and answer session after the screening, much was filmed in a quarry in Leatherhead. The special effects team of Derek Meddings and Roger Dicken would later go on to work on the original Alien, a number of Gerry Anderson productions as well as the Superman and Roger Moore Bond pictures
It’s true that in places the film plods by 2012 standards, some of the scenes are quite ropy but its hugely entertaining and the central trio of Doug McClure, Susan Penhaligon, and Keith Barron make for great chemistry. The movie is bookended by a great opening and poignant conclusion and it was a surprise ‘sleeper’ hit back in 1975 when it was released in UK cinemas and it still holds up today. Keith Barron in his post-screening interview was very funny, whether it was about Doug McClure’s on-screen drinking, his genuine regret about not making the one Hammer film he was offered or what kind of wine goes with a plate of plesiosaurus. The DVD for the remastered edition of the film is released on 30 July.
Well Hello again! It’s been a month more or less seen my last blog and the only excuse I can give is that I have been busy moving home- I’ve not moved far and I am still in Princes Risborough in the heart of the Chiltern Hills but I am slowly making my new residence ‘home’. Huge thanks to those people who helped me unpack boxes, drive unneeded stuff to the skip, re-design my home, find places to stick stuff that should never squeeze into that space- you all played your part immensely and your reward/punishment was a bryan.matthew.co.uk corporate gift, so that serves you right! You know who you are but if not, take a bow, David, Nigel, Jonathan, Carol & James….
OK, back to ‘business’ and it isn’t just me making a return this week. Another – and more important one – was that of Sally Owen, personal assistant to Ian Fletcher, Head of Deliverance at the Olympics Deliverance Committee (ODC). If this means nothing to you then you really need to catch up with the second series of BBC Two’s superb Olympic mockumentary ‘'Twenty Twelve' now nearing the end of its run.
The series is like ‘The Office’ before it, so feasible and close to the bone that you can really believe that the real-life London Organising Committee of the Olympics and Para-Olympics Games (LOCOG) is run as portrayed in the series – especially in light of the current G4S security guarding fiasco.
What marks it out as being so special? I think it’s the mixture of the absurd (but highly likely) scenarios and the collection of rich and vivid characters as written and directed by creator John Morton that keep you laughing and trying to stifle your embarrassment. Who can the forget the plan to unveil outside Tate Modern an Olympics countdown clock that goes backwards, the coach trip to the Olympics park where the driver gets lost, the plan to open an equestrian centre that backfires on the ODC with a horse load of manure dumped on their front door, and that is just for starters. Hugh Bonneville plays Ian Fletcher as ‘Head of Deliverance’ who is as close as the fictional ODC gets to having someone reasonably competent. Going through a messy divorce he is confronted by idiots and dysfunctional staff who obstruct any chance of getting the games run successfully. His personal assistant is the hugely impressive Sally Owen (Olivia Colman), who may be of modest beauty but she is hyper-efficient and is carrying a serious candle for her boss. Ian Fletcher is ‘aided’ although that should really be ‘harmed’ by his senior management team of Siobhan Sharpe (Jessica Hynes) as Head of Brand from PR company ‘Perfect Curve’- try and keep a straight face I challenge you when she utters “OK guys, this is what we are going do, Ok? Cool, Totally!”- anyone who has dealt with a Management Consultant will get her.
Kay Hope (Amelia Bullmore) is Head of Sustainability and the running joke throughout the series is the difference between ‘sustainability’ and ‘legacy’ (but don’t think about it too hard) with Graham Hitchens (Karl Theobald) as Head of Infrastructure suggesting that you could ease air traffic by getting competitors to fly in over nuclear reactors to reduce the burden on Heathrow (nice). A degree of common sense is offered by straight talking northerner and Head of Contracts Nick Jowett (Vincent Franklin).
It’s an incredibly funny, dangerously realistic satire on the Olympics process but like most great comedies at its heart is something more poignant and that is the relationship between Ian Fletcher and Sally Owen. He depends on her and is probably the only reliable person in his personal and office life- there is something between them- certainly an unrequited love at present, and the interplay between Hugh Bonneville and Olivia Colman is a master class of emotional understatement. But, Sally has been missing for most of the second series and she/Olivia Colman have been missed and truth be told, the series has suffered for it. But a sneak peak of the last episode of this run showed her return, holding flowers for a overwhelmed and injured Ian Fletcher. What can this mean? Will she finally be able to express her true feelings, will Ian return those feelings or will he be more concerned about how the 2012 Security Committee Special Catastrophisation Unit is performing. Tune in next week to find out but welcome back Sally!
As far as film franchise’s go, there is none so bigger as that of the Harry Potter series. Bigger than Bond, the Carry On’s, Batman, Indiana Jones, Star Wars, Lord of the Rings, the J K Rowling set of 8 movies are without equal.
I am a great fan although I have to admit that I came to ‘Potter’ late on. The books had pretty much passed me by – which is fair enough as I was never the target audience- and even the earlier films that I had seen had, for some reason, just not gripped me.
But then I saw the fifth film in the series – ‘The Order of the Phoenix’ which just pulled me in- the story and film tells how the Ministry of Magic attempt to instil a kind of Stalinist control over the students at Hogwarts school of Witchcraft and Wizardry, as the Dark Lord (Voldermolt) makes a return from oblivion. It leads to the students themselves having to take a stand and fighting for what they believe in through the self formed ‘Dumbledore’s Army’ – think a non Muggle French Resistance movement.
And it’s strange how something like Harry Potter can pass you by but when it ‘gets you’, you then soak up the mythology and the ethos that surrounds it. It's like suddenly liking a record of a particular artist, you get hooked and then start going through their back catalogue and look forward to the next release.
So with Potter, it was a case of having been won over by the movie, to go back to the earlier films and the books and get enmeshed in them. The Potter series has of course now ended. The final book ‘Harry Potter and the Deathly Hallows’ was published in July 2007 and the film version (split into two parts) was released in November 2010 and July 2011 respectively.
For me, its appeal is not just the fantasy and sorcery element although I think all great movie series need to have some kind of fantasy adventure aspect because escapism is at the core of most great cinematic entertainment. Potter also has some great themes, rich characters and engrossing plots weaved together by a truly brilliant story teller (J K Rowling). At its core, Potter is about Death or at least about how to deal with Death (Harry is an orphan, he is surrounded by the people dying and ultimately he has to accept having to sacrifice his own life to save his friends), Racism (Voldermolt is a Hitler like figure who wipes out those who don’t fit his picture of ‘pure blood’ wizards) and faith/loyalty (Harry is linked in his adventures with loyal committed partners in Hermoine, Ron and his fellow students in both the old and new Order of the Pheonix.
But despite the end of the books and the films, there is still Potter magic out there. Back in March 2012, Warner Brothers opened the Harry Potter Studio Tour London - based at Leavesden Studios just outside Watford (not exactly ‘London’ but close enough), which I visited this last weekend (9th June).
For a Potter fan or in fact anyone interested in how films are put together it is a wonderful place to visit. It’s a kind of shrine for Potter die hards as it is based at the studios where all the films were made and there you can visit the Great Hall of Hogwarts, Harry Potter’s original home at Privet Drive, look at Dumbledore’s office, ‘The Burrow where the Weasley family lived, the Ministry of Magic and best of all- it is one of only two places in the world where you can buy and taste a ButterBeer!
At £28 a ticket it is not cheap but I felt thoroughly entertained and moved, although I did have the good fortune to share part of the tour with probably the most enthusiastic potter fan I have ever met (take a bow, Sam!). The Store at the end of the tour is very commercial (a Hogwarts scarf will put you back almost £25) but that is not the case with the tour itself. You are not rushed, the staff there seem very keen for you to have a wonderful experience and it makes for a great day out as the tour takes around 3 hours depending on your pace.
Well worth a trip out to Hertfordshire (there is a good connection from Watford Junction station –served by London Euston) and for Potter fans deprived of no more books or films, it is a must to visit…
We all know Adele- the raspy-sounding London ingénue who sold over 5 million copies of her ‘19’ & ‘21’ albums/CDs in the UK alone – is hot and of the moment, and anyone who has listened to ‘Chasing Pavements’ or ‘Hometown Glory’ knows what an exceptional gifted writer and singer the girl is.
But for my money it is Rumer who is the most interesting female singer at present.
Born Sarah Joyce, in Pakistan and renamed after the author Rumer Godden, she has many admirers – including Jools Holland, Burt Bacharach, Elton John, John Prescott (!) and Obama (who invited her to sing at the White House recently).
Like Adele, she is not your typical pop singer either in appearance or attitude- she loves music of all eras, she is not a ‘natural’ on stage, is acutely self-aware and is pretty much an antidote for the ‘X-Factor’ kind of ‘star’ that is currently produced.
Listen to her –as 500,000 did for her debut album/CD ’Seasons of My Soul- and she comes across as a combination of Eva Cassidy and Karen Carpenter with a unique sound to her voice which is at the same time, smouldering, jazzy and soulful. She writes too, of her life and those around her. ‘Seasons of my soul’ is really referenced by the death of her mother and traces a road of discovery. Stand out tracks are ‘Slow’ (taking a relationship at its own pace), ‘Aretha’ ( a girl being inspired through the soul queen) and ‘On my way home’ (coming home to bury her mother).
Her second album – Boys Don't Cry - has just been released, which is a selection of covers from male artists from the 1970-1978 era, from the likes of Richie Havens, Todd Rundgren, Hall & Oates and Gilbert O’Sullivan. The theme of the songs are men in pain- men drinking, men suffering, men wanting to run away and men just wanting to be loved, which may all echo how Rumer herself is feeling, as she has openly talked about the challenges of adapting to be a singer on the road and in the studio and how relationships are affected.
‘Boys don’t cry’ is though a great listen and wonderful background music to soften your soul. Easily the stand out track is the sublime ‘P F Sloan’ – originally a Jimmy Webb creation- with a colourful history of its own, being about P F Sloan, the American singer song writer responsible for the stunning ‘Eve of Destruction’ (reputed to have helped change the voting age in the US (“You’re old enough to kill but not for voting”), wrote songs for Herman’s Hermits, the Manchester 60’s pop group as well as writing the theme song for the brilliant ‘Danger Man’ spy series.
In a lament to where P F Sloan has gone (he had reputedly spent 30 years fighting various ailments) Rumer’s lush tones will keep yoy humming the song for days on end.
Rumer doesn’t really hit the headlines like an Adele, or a Lady Ga Ga, or even the late Amy Winehouse which is probably a good thing for her, but she is worth listening to, as she has one of the most distinctive and unique sounds around. Go listen.
